生命之源
0
5.0
正片
生命之源
5.0
更新时间:2025年01月07日
主演:于尔根·福格尔,梅雷特·贝克尔,莫里兹·布雷多,拉文尼娅·威尔森,丽莎·斯密特,伦纳德·施彻,Sonja Kirchberger,Margarita Broich,Alexandros Gehrckens,科斯蒂亚·乌尔曼,托马斯·海因茨,威尔森·冈萨雷斯·奥森耐特,斯特芬·温克,艾丽卡·莫露珊,Rolf Zacher,哈里贝特·沙瑟,卡罗莉内·特斯卡,Michael Rast,丹尼尔·德鲁斯,Vincent Krüger,伊娃·贝,Anne Wallis De Vries,Sabine Urig,Die
简介:影片由奥斯卡·罗勒根据由他自己创作的小说《出身》改编成电影。故事的时间跨度从二战结束后的1949年一直延续到80年代,讲述了联邦德国一个家庭祖孙三代人的故事。罗伯特·弗赖塔格(雷纳德·施莱舍)的祖父埃里希(约根·沃格尔),一个战俘,在逃亡中将自己的妻子托付给另一个女人。罗伯特的父母,作家诺拉和罗尔夫,因一场桃色事件而相互折磨,并为了追求自我实现和自由恋爱而走向毁灭。罗伯特自己,在祖父母充满安全感的家庭和68年代被压抑的生活间成长,一直在艰难地寻找属于自己的幸福。by:yakubd.cc
1510
2013
生命之源
主演:于尔根·福格尔,梅雷特·贝克尔,莫里兹·布雷多,拉文尼娅·威尔森,丽莎·斯密特,伦纳德·施彻,Sonja Kirchberger,Margarita Broich,Alexandros Gehrckens,科斯蒂亚·乌尔曼,托马斯·海因茨,威尔森·冈萨雷斯·奥森耐特,斯特芬·温克,艾丽卡·莫露珊,Rolf Zacher,哈里贝特·沙瑟,卡罗莉内·特斯卡,Michael Rast,丹尼尔·德鲁斯,Vincent Krüger,伊娃·贝,Anne Wallis De Vries,Sabine Urig,Die
冷酷的心
0
10.0
正片
冷酷的心
10.0
更新时间:2025年01月07日
主演:弗雷德里克·劳,亨丽埃特·肯夫里乌斯,大卫·舒特,莫里兹·布雷多,米兰·佩舍尔,罗兰·维斯内克,塞巴斯蒂安·布隆贝格,安德烈·赫尼克,Jule Böwe,拉尔斯·鲁道夫,Moritz Berg,奥利·比加尔克,戴维·布雷丁,希尔德加德·斯罗德,伊娃-玛丽亚·库尔兹,Attila Borlan,托拜厄斯·劳特伯格
简介:彼得(弗雷德里克·劳 Frederick Lau 饰)和名为莉斯贝丝(亨丽埃特·肯夫里乌斯 Henriette Confurius 饰)是一对非常相爱的情侣,然而,莉斯贝丝是出生在富贵家庭的千金大小姐,而彼得则是一穷二白的无名小卒,两人的感情自然而然遭到了莉斯贝丝家族的强烈反对。为了能够在短时间内获得大量的财富,彼得决定和魔鬼迈克尔(莫里兹·布雷多 Moritz Bleibtreu 饰)做一个交易,用自己的真心去换取财富。 虽然彼得有钱了,但他变成了一个冷酷无情的人,因此失去了莉斯贝丝对自己的爱,知道这时,彼得才发现自己被魔鬼骗了。为了重新获得莉斯贝丝的爱,彼得必须再去找迈克尔,这一次,他要换回的,是自己的真心。©豆瓣

7700
2016
冷酷的心
主演:弗雷德里克·劳,亨丽埃特·肯夫里乌斯,大卫·舒特,莫里兹·布雷多,米兰·佩舍尔,罗兰·维斯内克,塞巴斯蒂安·布隆贝格,安德烈·赫尼克,Jule Böwe,拉尔斯·鲁道夫,Moritz Berg,奥利·比加尔克,戴维·布雷丁,希尔德加德·斯罗德,伊娃-玛丽亚·库尔兹,Attila Borlan,托拜厄斯·劳特伯格
情感的力量
0
2.0
HD中字
情感的力量
2.0
更新时间:2025年01月07日
主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke
简介:  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
906
1983
情感的力量
主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke
巴尔
0
7.0
HD中字
巴尔
7.0
更新时间:2025年01月07日
主演:赖纳·维尔纳·法斯宾德,玛加蕾特·冯·特罗塔,Günther Neutze,汉娜·许古拉,Wilmut Borell,克里斯蒂娜·舒伯特,沃尔特·泽德迈尔,君特·考夫曼,Miriam Spoerri,若阿内斯·巴尔斯基,迈克尔·根帕
简介:  Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
  The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
924
1970
巴尔
主演:赖纳·维尔纳·法斯宾德,玛加蕾特·冯·特罗塔,Günther Neutze,汉娜·许古拉,Wilmut Borell,克里斯蒂娜·舒伯特,沃尔特·泽德迈尔,君特·考夫曼,Miriam Spoerri,若阿内斯·巴尔斯基,迈克尔·根帕
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